Description
The films of John Akomfrah represent one of the most significant bodies of artistic production in the post-war era in Britain, yet little attempt has been made to analyse the consistencies and divergences across them.
James Harvey's John Akomfrah is the first comprehensive analytic engagement with these films, offering sustained close engagement with the artist's core thematic preoccupations and aesthetic tendencies. His analysis negotiates the contextual and theoretical layers of Akomfrah's rich and complex films, from the intermedial diaspora aesthetics of Handsworth Songs (1986) to the intersectional spatial ecopolitics of Purple (2017). Positioning Akomfrah in the burgeoning black British arts and cultural scene of the 1980s as a member of Black Audio Film Collective, Harvey traces the evolution of a critical relationship with the postcolonial archive in his early films, through analysis of documentaries made for television in the 1990s and up to more recent film installations in museums and galleries.Author: James Harvey
Publisher: British Film Institute
Published: 09/07/2023
Pages: 280
Binding Type: Paperback
Weight: 1.40lbs
Size: 8.90h x 6.40w x 0.80d
ISBN13: 9781839023217
ISBN10: 183902321X
BISAC Categories:
- Art | Film & Video
- Performing Arts | Film | Direction & Production
- Social Science | Black Studies (Global)
About the Author
James Harvey is Lecturer in film studies at Queen Mary, University of London, UK. An academic and curator, he is author of Nationalism in Contemporary Western European Cinema (2018) and Jacques Rancière and the Politics of Art Cinema (2018).